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Laroo/Byrd Flight - CD review

Posted by Saskia Laroo (saskia1) on 19-12-2011
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By Owen McNally for the Hartford Courant
source: http://articles.courant.com/2011-11-17/entertainment/hc-riffs-jazz-1117-20111117_1_sunwatcher-saskia-laroo-laroo-records

Warren Byrd, the Hartford pianist/vocalist, and Saskia Laroo, the trumpet and bass playing Amsterdam native, celebrate their dynamic duo alliance with their solid new CD, "Two of a Kind: A Tribute to Miles & Monk" (Laroo Records).

While Miles and Monk had their differences on occasion, Laroo, a trumpet diva who's known throughout Europe as "Lady Miles," and Byrd, who has played with many extraordinary bands in the Hartford area as well on the international jazz circuit, bring unity of purpose and spirit to this special occasion which marks the Hartford/Amsterdam duo's recording debut.

Right from the opening track, Laroo's piece called "Pretty Rome," the pair generates confidence and cohesion as the piano and trumpet engage in breezy conversation, with each player having much to say in the briskly interactive but balanced colloquy.

The opener sets the bar high for quality and vitality, a lofty standard maintained throughout all 15 tracks, winding up with the grand finale featuring a romp through Miles' "Four," crackling with Laroo's crisp, Milesian thoughts on muted horn.



Byrd contributes four originals, Laroo three, and together they co-wrote three. Into this mix they include their bright interpretations of such jazz classics as "Four," plus Miles' "Solar" and Monk's "Well You Needn't" and "Misterioso." As a kind of surprise bonus, there's also Benny Golson's "I Remember Clifford," the venerable jazz requiem for trumpeter Clifford Brown.

Byrd sings, even scats here and there, plus does some hand drumming on bongos on another track. A careful, empathetic listener and accompanist, Byrd also knows how to assert his own solo voice, virtues perhaps acquired early on in life since he was the youngest of 16 siblings, including five brothers and 10 sisters.

Laroo plays open and muted horn and swings on bass on a handful of tracks, including the duo's high-flying, solar-powered rendition of "Solar." You just get accustomed to Lady Miles musing on trumpet, and the next thing you know the Flying Dutchwoman is soaring on booming standup bass. And it's not just an acoustic shtick, but the real deal.

Individual soloing talents strut their way through the disc, balanced with a genuine sense of collaboration. Each player shines on his or her own while simultaneously inspiring one another and accentuating one another's strengths. As part of the buoyant mood, they accentuate the positive but never have to eliminate the negative because there isn't any.

Because they so obviously love the duo format and thrive on collaborating with each other, they generate an upbeat feeling with their playing that flows, never flags.

 

Last changed: 19-12-2011 at 21:08

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